事业 · 创业者自述

爱德华·博克:爱德华·博克自传·补录 638

爱德华·博克《爱德华·博克自传》· The Americanization of Edward Bok · 领导

Had it simply presented masterpieces of art as such, the series might have attracted little attention. But when it announced that these masterpieces had always been kept in private galleries, and seen only by the favored few; that the public had never been allowed to get any closer to them than to read of the fabulous prices paid by their millionaire owners; and that now the magazine would open the doors of those exclusive galleries and let the public in--public curiosity was at once piqued, and over one hundred and fifty thousand persons who had never before bought the magazine were added to the list.

出处: https://www.gutenberg.org/ebooks/3538
定位:Additional excerpt 638 · 核对日期:2026-10-19 · 核验:短摘录

白话

如果只是把艺术杰作当作名画展示,系列可能无人问津。但杂志宣布:这些杰作一直藏在私人画廊,只有少数宠儿能看;公众最多只能读到富豪买家付的天价;现在杂志要打开这些专属画廊的大门,让公众进去。公众的好奇心立刻被激起,结果超过十五万从未买过杂志的人订阅了。这说明,同样的内容,赋予它“稀缺性”和“准入感”,就能把普通展示变成热门事件。

上下文

博克在自传中讲述《女士家庭杂志》如何通过改变艺术品的呈现方式吸引大量读者。

今日一问

你能否为手头的内容找到一种“打开私藏”的呈现角度?

公版传记;原文逐字取自 Project Gutenberg,仅摘录段落并附全书链接。

本文本为公版;底本与原文链接见上。 版权

← 返回原文库