事业 · 创业者自述
塞缪尔·斯迈尔斯:自助论·摘录 147
塞缪尔·斯迈尔斯《自助论》· Self-Help · 领导
The reputation of Poussin, however, grew but slowly. He was of a retiring disposition and shunned society. People gave him credit for being a thinker much more than a painter. When not actually employed in painting, he took long solitary walks in the country, meditating the designs of future pictures. One of his few friends while at Rome was Claude Lorraine, with whom he spent many hours at a time on the terrace of La Trinité-du-Mont, conversing about art and antiquarianism. The monotony and the quiet of Rome were suited to his taste, and, provided he could earn a moderate living by his brush, he had no wish to leave it.
出处:
https://www.gutenberg.org/ebooks/935
定位:Excerpt 147 · 核对日期:2026-10-19 · 核验:短摘录
白话
不过普桑的名声长得很慢。他性格退隐,不爱交际。人们更认可他是个思考者,而不是画家。不画画时,他常独自在乡间长时间散步,琢磨未来作品的构思。在罗马他少有的朋友之一是克劳德·洛兰,两人常在三一山平台的露台上谈艺术、谈古物,一谈就是很久。罗马的单调和安静正合他口味;只要靠画笔能维持中等生活,他就不想离开。核心是:名声慢不等于方向错,安静独处和少数深交,都是他工作的方式。
上下文
斯迈尔斯《自助》写普桑在罗马的性情与交友,说明其创作节奏。
今日一问
你能否给自己留出固定的独处思考时间,并维护一两个能深谈的同行朋友?
公版作品;原文逐字取自 Project Gutenberg,仅摘录段落并附全书链接。
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