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塞缪尔·斯迈尔斯:自助论·摘录 64
塞缪尔·斯迈尔斯《自助论》· Self-Help · 领导
From that time the subject of mechanical invention took complete possession of him. With some rude tools which he contrived, he made a wooden clock that marked the hours with remarkable exactness; while he made for a miniature chapel the figures of some angels which waved their wings, and some priests that made several ecclesiastical movements. With the view of executing some other automata he had designed, he proceeded to study anatomy, music, and mechanics, which occupied him for several years. The sight of the Flute-player in the Gardens of the Tuileries inspired him with the resolution to invent a similar figure that should _play_; and after several years’ study and labour, though struggling with illness, he succeeded in accomplishing his object. He next produced a Flageolet-player, which was succeeded by a Duck—the most ingenious of his contrivances,—which swam, dabbled, drank, and quacked like a real duck. He next invented an asp, employed in the tragedy of ‘Cléopâtre,’ which hissed and darted at the bosom of the actress.
出处:
https://www.gutenberg.org/ebooks/935
定位:Excerpt 64 · 核对日期:2026-10-19 · 核验:短摘录
白话
从那以后,机械发明完全占据了他。他用自制的粗糙工具做了一只木钟,报时相当准;又为一座微型礼拜堂做了扇翅膀的天使和做各种宗教动作的祭司。为造别的自动人偶,他学了几年解剖、音乐和机械。在杜伊勒里花园看到吹笛人,他下决心造一个真能吹的类似人偶,苦干几年、带病也成功了。接着做吹短笛人,又做鸭子——他最巧的发明,能游水、戏水、喝水、嘎嘎叫。再后来做了一条毒蛇,用于悲剧《克娄巴特拉》,会嘶嘶叫并扑向女演员胸口。
上下文
斯迈尔斯《自助》列举沃康松制作的木钟、自动人偶和机械鸭等精巧作品。
今日一问
你愿意为一件事花几年时间学跨领域知识,只为把它真正做成吗?
公版作品;原文逐字取自 Project Gutenberg,仅摘录段落并附全书链接。
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